自然Nature（1/2）

拉尔夫·沃尔多·爱默生/ Ralph Waldo Erson

拉尔夫·沃尔多·爱默生（1803—1882），美国思想家、诗人和散文家。生于波士顿牧师家庭，毕业于波士顿拉丁学校和哈佛大学。21岁时成为神职人员，不久便对基督教产生怀疑，1832年辞职远游，遍访欧洲文化名人。曾经深入研究过荷马、柏拉图、但丁、蒙田和莎士比亚。代表作有《论自然》《美国学者》《神学院致辞》《散文选》和《诗集》等。

Acethe Hole

Uand these new words before you listen to this article.

1. chaber [t?eib?] n. 房间；会议厅，会所

2. atosphere [?t?sfi?] n. 大气，大气层；空气；气氛，环境

3. curiosity [,kju?ri?siti] n. 好奇心；奇人，奇物，珍品

To go to solitude, a ao retire as uch fro his chaber as fro society. I a not solitary whilst I read and write, though nobody is with . But if a an would be alone, let hi look at the stars. The rays that e fro those heavenly worlds, will separate beeen hi and what he touches. One ight thk the atosphere was ade transparent with this design, to give an,the heavenly bodies, the perpetual presence of the subli. Seenthe streets of cities, how great they are! If the stars should appear one nighta thoand years, how would n believe and adore; and preserve for any geions the rebrance of the city of God which had been shown! But every night e out these envoys of beauty, and light the universe with their adonishg sile.

The stars awaken a certa reverence, beuriosity by fdg out all her perfe. Nature never beca a toy to a wise spirit. The flowers, the anials, the ountas, reflected the wisdo of his best hour, as uch as they had delighted the siplicity of his childhood. When we speak of naturethis anner, we have a distct but ost poetical sehe d. We aegrity of ipression ade by anifold natural objects. It is this which distguishes the stick of tiber of the wood-cutter, fro the tree of the poet. The charg ndscape which I saw this , is dubitably ade up of so enty or thirty fars. Miller owns this field, Locke that, and Manng the woodnd beyond. But none of the owns the ndscape. There is a propertythe horizon whio an has but he whose eyetegrate all the parts, that is, the poet. This is the best part of these n’s fars, yet to this their warranty-deeds give no title. To speak truly, few adult personssee nature. Most persons do not see the sun. At least they have a very superficial seeg. The sun ites only the eye of the an, but shes to the eye and the heart of the child. The lover of nature is he whose ward and ouard senses are still truly adjted to each other; who has retaed the spirit of fancy even to the era of anhood. His terurse with heaven ah, bees part of his daily food. In the presence of nature, a wild delight runs through the an,spite of real sorrows. Nature says, he is y creature, and augre all his ipertent griefs, he shall be gd with . Not the sun or the sur alone, but every hour and season yields its tribute of delight; for every hour and ge rresponds to and authorizes a different state of the d, fro breathless noon to grist idnight. Nature is a settg that fits equally well a ic or apiece.

参考译文

一个想要追求孤独的人，不但要离开自己的卧室，还要离开社会。在我阅读和写作之时，尽管无人相伴，可我没有觉得孤独。然而，假如有人用尽心思追求孤独，那就让他抬头凝望星空吧。那来自天国的光芒，能在他和他生活的天地之间分出一条界限。你也许会认为，如此的构想简直太棒了：空旷辽阔的大地之上，人们抬头仰视星空，仿佛从中领悟到某种崇高的永恒。从城市的街道看过去，那种场面的确令人恭敬！假设天上的星星一千年才出现一次，可想而知他们会对这上苍的显圣何等崇敬，又会如何仔细地将它收藏进记忆里流芳百世啊！只可惜，这些美的使者夜夜都会带着劝诫式的微笑降临，将光辉普照整个宇宙。

星星使我们心生敬畏，不是因为它常常高悬于空中，而是因为它的可望而不可即。然而，只要拥有一颗包容的心，你就会发现世间万物和人类其实都是心灵相通的。自然从不把它吝啬的一面显露出来，顶尖聪明之人也不会强求打开它全部的奥秘，而会保留好奇之心去探寻它所有的完美之处。在智者看来，自然永远不会是一个玩物。鲜花、动物、山脉——折射出他们的纯真童年——也是他最高智慧的体现。当我们以这种方式来谈论自然时，头脑中自然会产生一种清晰而又极富诗意的画面，这种画面是世间万物在我们的印象中留下印迹的总和。也正是在这种印象的指引下，才会有伐木工手中的木头在诗人笔下却是大树的区别。今天早上我所看到的那一片令人陶醉的景色，毫无疑问它是由二三十个农场组成的。米勒占有这一块土地，洛克是那一片田野的主人，树林外面的那一片则归曼宁所有……可是，他们都不能拥有这片风景。远处有一块土地，谁也不能将其划在自己的名下，唯有那个又能看见土地又看得见风景的人，才是它真正的主人，而诗人正符合这样的要求。这个地方是农场主所有财产中最值钱的一部分，但按照他们的担保契约却并不是这样。坦诚讲，现在没有多少成年人能真正看得见自然了。大多数人都不看太阳，至少，只是肤浅地看。对成人而言，太阳只照亮了他们的眼睛，对孩子来说，太阳却照进了他们的眼睛与心灵。一个自然爱好者，他外在的知觉和内心的感触是相互协调的，甚至在他成年以后，依然拥有一颗童心。在他看来，与天地的接触，是日常生活中不可分割的一部分，只要身处大自然中，不管生活中遭遇多大的悲痛，内心总会产生巨大的快乐。大自然说，他是我的杰作，不管他有多少没有缘由的悲伤，都会同我一起快乐。自然赋予给我们不仅仅是阳光、夏日、四季的变换，她每时每刻都在给予我们快乐与欣喜。这是因为，每一刻、每一个变化，不管是压抑的中午还是黑暗的午夜，都意味着一种别样的心情。在自然的舞台上，不仅能上演喜剧，也能烘托悲剧。

心灵小语

大自然如同一座雄伟的江山，一座永垂不朽的山。而大自然之美却无法比喻的，因为它的美并不是人类的力量所能发掘的，只因它们的美是无量的。啊，大自然真美啊！

Practicg for Better Learng

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